August saw the introduction of the EMU10K1 audio processor.
It is essential to understand the history behind sound for live production to go beyond the separate mono PA trend the entertainment industry trapped itself in.
Sports are the largest of spectacle events. The collective energy and roar of crowds in large reverberant stadiums and auditoriums, drives the adrenaline of excitement similar to addiction.
The majority of audiences go to see not listen to sport and live musical productions including opera as spectacle events.
Traditionally, entrepreneurs see lighting and image as important, not sound fidelity. Not all performers express interest in how they are heard by an audience.
This they believe should be managed by others. However, stage monitoring is understandably a performers prime concern. The separate mono PA of limited fidelity has become the simplest cost alternative for audiences to hear live music productions. The speaker stacks are spread around the stadium or auditorium as close as possible to the audience.
Technical emphasis is not on dynamic fidelity or realism but for the whole audience to hear sound almost at the same level through out the venue. But live music productions are pre-mixed and compressed, often only heard in mono from each nearest speaker stack.
The result for music, bears little or no resemblance to how the production would sound directly, up close or on the stage. The sound system acts as a barrier separating the performance from the audience. Sometimes the audience only see the performance on large video projection.
The audience experience startling dynamic clarity, similar to being up close or on stage with the musicians. In the early s there were a handful of innovative sound companies including Lenard Audio that were developing variations of this principle.
This direction was not adopted by the entertainment industry because it was seen as too difficult to implement. It is essential to understand the history behind sound for live music production, to go beyond the separate mono PA trend the entertainment industry trapped itself in.
Historical Context In each generation a percentage of rebellious youth culture is symbolised by aggressive, loud, harsh distorted noise. Rock music evolved from Blues, the music of the streets. PAs and guitar amps were made to a budget. Not all technical principles of sound system design were well thought out.
In The Beatles toured the world using their Vox 30 Watt instrument amps.
They often used small house PAs consisting of 12in speakers in columns driven by Watt amps if they were lucky. The screaming audience completely drowned them out. In many cases the band was not heard at all. They never did concert tours again. This sent a strong message to entrepreneurs that sound quality had no effect on audience attendance.Survey Design Software.
Knowing what the client wants is the key factor to success in any type of business.
News media, government agencies and political candidates need to . One thing that most live events have in common, regardless of scale, is the need for sound design that results in a clear, natural (flat) overall sound.
If the sound is muddy, or if some frequencies are unnaturally louder or softer than others, the audience will end up fatigued and will not be able to enjoy the event. sound, and are often used for vocals in the studio.
A third type of mic technology, the ribbon microphone, is seldom used live due to fragility. miC PlACEmEnT And USAgE.
The Prime Tower Surround Sound Speaker System represents the perfect combination of advanced acoustic engineering, high end design elements and exquisite sound quality for stunning home theater performances at a head-turning price.
The Prime Satellite Surround Sound System is a super compact home theater system with five massive sounding Prime Satellite speakers and the startlingly powerful SB Subwoofer. Sound System Design Reference Manual Wavelength, Frequency, and Speed of Sound Sound waves travel approximately m/sec ( ft/sec) in air.
There is a relatively small velocity.